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Distribution and Rights:

A Maysles Films Inc. Production
In co-production with Channel Four, Nos, ORF, PBS, Sony Classical, ZDF
© CAMI

Rights to Sony Classical.

Key Credits:

A film by Albert Maysles, Susan Froemke, Peter Gelb, and Bob Eisenhardt
Cinematography Albert Maysles and Ed Lachman with Wolfgang Becker and Martin Schaer
Editor Bob Eisenhardt
Associate Producer Nell Archer
Producers Susan Froemke and Peter Gelb

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©1991, a film by Susan Fromke, Peter Gelb, Albert Maysles and
Bob Eisenhardt, 88 mins



Film Synopsis:

When the cellist and conductor Mstislav Rostropovich returned
to the Soviet Union, after 16 years in exile, he could barely
restrain his tears or his laughter. He downed a full glass of
vodka in celebration, as he was welcomed at a dinner in the
Moscow apartment that was once his home; he leaped through
two feet of snow, eager to reach the door of his dacha behind
which he had once harbored the Nobel-prize winning novelist,
Alexander Solzhenitsyn; and he solemnly laid a wreath the size
of a double-bass at the snow-covered grave of the dissident
Andre Sakharov, where the musician and his daughter wept
together, uncontrollably.

The film is a revealing portrait of an artist's visit home, returning
to a country that seems to be undergoing yet another revolution.
The Soviet minister of culture comments at a party for the
returning musicians, that now a "new generation" is in power,
one far different from the old "killers of art". Rostropovich also
has no qualms about demanding, in a press conference, the full
restoration of Solzhenitsyn's citizenship and the publication of
his works.

Rostropovich and his wife are welcomed at the airport as if they
were rock stars; Galina walks in the street in front of the Bolshoi
Opera where she once starred and is recognized and praised; one
of Rostropovich's concerts is interrupted by an overzealous fan
praising him in the middle of a performance as a "Zeus". But the
private moments captured on camera are the most revealing;
Rostropovich visiting the communal apartment where he grew
up and telling its elderly current residents, "we never said what
wasn't true"; Galina standing in front of the Bolshoi, and near
tears, feeling unable to pass through its doors.

This film is an account, in cinema verite style, of what happened
when Rostropovich, along with his wife, the renowned soprano
Galina Vishnevskaya, returned to the country that had stripped
them of all rights to perform, demolishing their careers because
they had dared to shelter and defend Solzhenitsyn.

Reviews:

"This stunning documentary ·is a small work of art in itself.
The homecoming, the welcome by Muscovites, the music,
the rush of memory and emotion that the film has caught,
all work to produce 90 minutes of extraordinary emotional
force. It should not be missed."
-THE WALL STREET JOURNAL December 17,1990

"Soldiers of Music is an extraordinarily moving tribute to
the power of moral conviction over political ideology."
-John von Rhein, CHICAGO TRIBUNE, January 1, 1991

"This is a film that will soften your heart and feed your soul,
that will revive any hint of patriotism to which you still cling.
It is not only inspiring, but historic."
-Mike McDaniel, HOUSTON CHRONICLE, January 6, 1991

"It is a riveting story, superbly told."
-Donald Rosenberg, THE PITTSBURGH PRESS, December 31, 1990

Accolades:

Jury Prize, Montreal

Emmy Award

Official Selection for the Sydney Film Festival

1991 Emmy Award Nominee for Individual
Achievement-Informational Programming

1991 Nominee for Outstanding Documentary,
International Documentary Association